The
International Jury
of IndieLisboa is composed by personalities
from the cinema world or related
to it, and attributes the two Grand
Prizes of IndieLisboa: Best Feature
Film and Best Short Film (this one
sponsored by Sagres Preta).
The International Jury will also
award the Tobis Prize for Best Portuguese
Film (with no distinction between
feature and short films) and the
AIP/ FujiFilm Prize for Best Cinematography
in a Portuguese Film.
In
addition to the International Jury,
there will be also
the Onda Curta Jury,
and the Amnesty International Jury.
The Onda Curta Jury attributes the
Onda Curta Award which consists
in the acquisition of film rights
for broadcasting in Portugal’s
Public Television.
The
Amnesty International Jury
distinguishes a film, no matter
its genre or lenght, which can contribute
to broad the viewer’s comprehension
towards human dignity.
Finally,
there will be two more awards: a
jury formed by all paying viewers
of the Competition and Observatory
sessions, will attribute
the Audience Jameson Award to the
feature and short film most voted
during the festival. As for the
IndieJúnior Audience / Victoria
Seguros Jury, which
is formed by all children sessions’
viewers, will attribute a diploma
to one of the short-films presented
during the children sessions.
The awards attributed during the
2nd edition of IndieLisboa comprehend
a trophy, a diploma and money, with
exception of the Amnesty International
Award and the IndieJúnior
Audience/Victoria Seguros, that
will be only honorific..
International
Jury Lisandro
Alonso was
born in Buenos Aires in 1975 and
studied for three years at the local
Universidad del Cine. In 1996, he
wrote and directed the short film
Dos en la Vereda. Then Alonso worked
on several features as assistant
director. His own feature début
La Libertad (2001) was screened
as part of the Un Certain Regard
section in Cannes. Los Muertos (2004),
Alonso’s second feature, won
several prizes in various festivals,
including Best Film in Torino Film
Festival. In 2005, he was a member
of the prestigious Competition Jury
of the International Film Festival
Rotterdam. He is preparing his third
feature film.
Beatriz
Batarda Born
in London in 1974 and grew up in
Lisbon where she first started her
work as an actress. Her earliest
experience was in a documentary
called “E Agora Maria?”
(1978) directed by Maria Armanda
Passos and Claudia Fernandes. After
small appearances in “Tempos
Dificeis” by João Botelho
and “Vale Abraão”
by Manoel de Oliveira, her first
relevant role was in “A Caixa”
(1993) also by Manoel de Oliveira.
She studied Design at IADE institute
in Lisbon and began her training
in acting at Guildhall School of
Music and Drama in London. Between
Portugal and England she has been
working with film directors such
as José Álvaro de
Morais, Vicente Jorge Silva, Ivo
Ferreira, Jeanne Waltz, Pedro Caldas,
João Canijo, Margarida Cardoso,
Marco Martins, David More, Christopher
Morahan, Andy Wilson, Nick Laughland
and Mike Dowse; in theatre with
directors such as Luis Miguel Cintra,
Diogo Dória, João
Perry, Steven Unwin, Edouard Kemp
and Joseph Blatchley.
Kieron
Corless Is
a film and TV critic for Time Out
London and the film magazine Vertigo.
He has also written on cinema for
a range of other publications including
The Independent, Sight and Sound,
Scotland on Sunday and Plan B.
He is also currently programming
two seasons of films to screen at
the Curzon Soho cinema in London
in 2005. Previously he has
worked as script reader and editor
for various film production companies,
and collaborated on making several
short films. He has also edited
pop promos, TV programmes, short
films and a documentary. He
recently served as a jury member
at the Bucharest international film
festival.
Olaf
Möller Born,
raised, and still living in Cologne.
Is the european editor of the magazine
Film Comment. Writer/Curator/etc.
“He’s a fucking madman!”
(anonymous German filmcritic) -
“He’s a great guy!”
(anonymous US-American programmer)
- “He’s a walking contradiction
/ partly truth and partly fiction...”
(Kris Kristofferson)
Ilda
Santiago Holding
a degree in Journalism, she is the
director of Festival do Rio - Rio
de Janeiro International Film Festival,
one of the greatest film events
in Latin America. Ilda is also a
co-founder of Grupo Estação,
the most established art-film distribution
and exhibition circuit in Brazil,
with over 30 theatres in Rio de
Janeiro, São Paulo and Belo
Horizonte, and more than 300 released
titles in the last few years. Estação,
which started as a film club, is
now a private company with 18 years
in the market of exhibition, distribution,
and organization of film events,
and is one of the organizers of
Festival do Rio. Ilda Santiago is
presently Cannes Festival’s
correspondent in Brazil.
Onda
Curta Jury
João
Garção Borges
Born in Lisbon in
1956. He graduated in Cinema Studies
at the National Conservatory of
Lisbon. He joined RTP in 1979, having
held positions as head of cinema
programming at RTP. Between 1994
and 1998 he was responsible for
the production of Portuguese fiction
at RTP, for film co-productions
with foreign partners, and he authored
several original projects, such
as Onda Curta (and Noites Curtas
of Onda Curta of which he is the
author, programmer, director and
production coordinator), both programs
are currently broadcast at the a
2: channel. A film critic with the
press, radio and television, he
has contributed to several Portuguese
and international publications.
He is a member of FIPRESCI - the
International Federation of Film
Critics – and the Vice-president
of its Lisbon Section.
Clémentine
Mourão-Ferreira
Head of the documentary
and feature-film production department
of the production companies Filmes
do Tejo (Portugal) and Les Films
de L’après Midi (France),
Clémentine Mourão-Ferreira
is a regular contributor to film-related
magazines, and she coordinated the
fourth and fifth French Film Festivals.
With a degree in Classical Literature
by the Sorbonne, she later did a
traineeship at the Arte France television
channel, and worked at Gemini Films.
Paolo
Manera Born
in Torino (1967). Graduated in Literature
with a thesis on Cinema. Since 1985:
musician/composer in independent
bands and soundtracks. Since 1990
working for cultural associations
and institutions in Torino for cinema
programs/events, writing articles
and essays (for Cineforum, Il Manifesto,
Einaudi, Il Castoro). Since 1999:
curator of the International Short
Film Competition of Torino Film
Festival - Cinema Giovani. Since
2000: author and consultant for
documentaries, web projects, screenplays,
radio and TV programs for RAI channels
and other national networks. Currently
working as freelance for several
associations and festival in Italy
and abroad, with the focus on independent
cinema and cinema/music relations.
He was a jury member of the International
Competition of IndieLisboa 2004.
International
Amnesty Jury
Carlos
Vaz Marques Born
in Lisbon in 1964. A professional
journalist since 1987, he joined
the editorial staff of TSF in 1990.
He has worked all over the world
as a reporter. He was the editor
of TSF’s morning newscast
and of the daily Fórum TSF
program. Since 2001, he has been
working as author of the “Pessoal
e… transmissível”
program, a daily afternoon interview
show, where he has interviewed some
four-hundred personalities both
Portuguese and foreign. He has published
two books with the interviews made
for TSF, “Pessoal e…
transmissível” in 2002,
and “XX/XXI” in 2004.
He collaborates with several newspapers
and magazines, and does a weekly
interview show called “Encontro
Marcado” at the SIC Mulher
TV channel since September 2004.
He was a scholar of The German Marshall
Fund of the United States.
Madalena
Miranda Filmmaker.
She was born in 1976, and graduated
in Media Sciences at the College
of Social and Human Sciences of
the New University of Lisbon. She
directed six episodes of the “Inter-Europa”
serial and the feature-films “Um
Olho Para Ver, Outro Para Sentir”
(2001), “Naquele Bairro”
(2002), and “Estrela da Tarde”
(2004), which participated in the
1st IndieLisboa competition. In
2004 she directed a 28 minute documentary
about an opera staging course called
“Na Pele do Urso”.
Taco
Ruighaver (1964)
is director of the Amnesty International
Film Festival in Amsterdam. He organized
various film events and worked for
DocuZone, the Dutch project that
started distributing documentary
films digitally as a predecessor
of CinemaNet Europe. Taco is one
of the initiators of the Human Rights
Film Network, a new network of eighteen
human rights film festivals worldwide.
He is member of the board of the
CJP Foundation, the Dutch Euro <
26 organisation. For eight years
he was editor of the Dutch Amnesty
International youth magazine “Frontaal”.
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